From gallery to art office
ambition to explore new paths and to extend its activities beyond the
traditional concept of an art gallery, Tallieu Art Office & Ischa Tallieu
continue to build upon the experience and achievements within the context of a
until 2014, Galerie Fortlaan 17 earned its position in the contemporary arts
world, constantly reinforcing its reputation thanks to high-profile
exhibitions, projects, publications, involvement in international art fairs,
performances, debates and lectures.
Tallieu Art Office works in various fields such as visual, installation and new media art, contemporary classical music, sound art, music and performing arts with a special interest in transdisciplinary projects and a focus on selection, promotion, exhibitions, networking, consultancy, expertise and representation.
News September 201731.08.2017
David Bowen at Ars Electronica Festival 2017, Linz (AT) - Polygon by Lawrence Malstaf - Haugen Productions: Pust with Liv Hanne Haugen, Per Martinsen, Lawrence Malstaf at Dansens Hus, Oslo (NO) - Overview by Lawrence Malstaf at FILE Festival, São Paulo (BR) - 'Où sont les sons? Where are Sounds?' with Overtoon at CENTRALE for contemporary art, Brussels (BE) - FILE SOLO: Lawrence Malstaf: 'The poetics of Immersion' with FILE festival at CCBB São Paulo (BR)
In the paintings by Jan Verbruggen surfaces and volumes are tilted in space, without holding on to a conventional perspective. Strange figures overlook landscapes together with the viewer, or are immersed in the scenes. Verbruggen explores the boundaries of the territory that surrounds him. Orientation is essential in this process, like a map is indispensable when traveling. Not only the artist is searching for navigation and timing, also the spectator is challenged to think along. This reflection process is essential to the artist, as no artwork just ‘happens’. After all, the artist’s studio functions as a place for research, where the artist collects texts, pictures, drawings, etc. to reconstruct this fragmented information in a painting. Bright, elementary colours contrast with a deep blue, almost transparent background. Verbruggen is convinced that contrasts facilitate thinking. Furthermore, the distinctive colours apply structure.
The questioning of the position of the spectator is at the heart of Jan Verbruggen’s work. Is the painting showing us a real image or is it just a projection? We are confronted with a screen, a tilted volume in an infinite space. This cinematic impact of Verbruggen’s work lies in his study of time. The artist wants to capture the sequence of a specific action in one moment. (Melanie Deboutte)To Artist