08.10.2015 - 18.10.2015

Brussels (B)


Media Arts Exhibition

Digital or analog? New or old technologies? How does the medium affect the way reality is perceived and represented ? How do we want to perceive reality or how can we? Real and virtual reality, facts and fiction are today inseparable. There are unlimited possibilities for the creation of images. Within the context of art and technology we re-examine the essence of representation and perception, and this by means of creating immersive , interactive and kinetic works. The selected installations approach in different ways the relationships between registration and medium, projection and content, perception and interpretation.



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New Acquisition: Peinture Tragique, 1991


Oostende (B)

MuZee acquired the painting 'Peinture Tragique'_1991 by Jacques Charlier for the permanent collection of the museum.

Nuit Blanche 2015

03.10.2015 - 04.10.2015

Rue du Grand Hospice | Grootgodshuisstraat
Brussels (B)

With the video installation Listen To Me, the Brussels-based sound artist Stijn Demeulenaere reminds us that we do not just listen with our ears, but with our whole being. On every screen, a person is absorbed in listening to sound extracts that we cannot hear. It is left to the imagination to decode the subtle expressions of the filmed faces …

Nuit Blanche 2015


27.07.2015 - 21.07.2015

Sint-Baafsabdij, Gent (B)

Transporter 02008 is an installation consisting of two conveyors moving in the opposite direction and a mirror midway moving up and down. The audience chooses this time for a horizontal position and let themselves literally be carried away by the installation. Be prepared for a strange encounter with yourself.

Lawrence Malstaf


Coupling Series

15.06.2015 - 25.07.2015

AC Institute
New York (US)

In Coupling Series, Kok&Deiman tease out the graphical representation of nature found within common garden system models in order to create a playful and ambiguous playground. From perfected depictions of colorful mud to 3D models of growing plants to an absurdly abstract instruction video, the installation comments on utopian ideas of DIY, manipulability, knowledge visualization, and a misplaced sense of control.



Kamermuziekzaal, Concertgebouw Brugge
't Zand 34, 8000 Brugge (B)

Flow, my tears, say the lyrics. And flow they did! In its day, Dowland’s lute song - based on his own Lachrimae pavan - was so popular that it was more or less England’s melancholic anthem. Contemporaries and even the composer himself continuously reinterpreted its melody and characteristic bass line. Annelies Van Parys has used this framework for a new creation, which will be seen and heard in Bruges for the first time.

Hathor Consort
John Dowland - Lachrimae or Seven Tears
Annelies Van Parys - Interludes (world premiere)
Femke Gyselinck - Dance & choreography

Photo: Femke Gyselinck © De Bijloke

Concertgebouw Brugge

New Website


Tallieu Art Office
Tallieu & Tallieu NV

This new website for the Belgian composer Annelies Van Parys was developed in collaboration with Tallieu & Tallieu

Annelies Van Parys (°1975) studied composition at the University College Ghent, dept. Royal Conservatory with Luc Brewaeys. Her works were granted many awards. In 2011 she received the prestigious Laureateship from the Royal Flemish Academy of Belgium. Since 2014 she is also a member of this Royal Academy for Arts and Sciences.

Annelies Van Parys is represented by Tallieu Art Office.

VORMIDABLE: Shrink & Conversations

20.05.2015 - 25.10.2015

Vormidable - Museum Beelden aan Ze
Den Haag (NL)

Shrink 01995 - Two large, transparent plastic sheets and a device that gradually sucks the air out from between them leave the body (in this case the artist himself) vacuum-packed and vertically suspended. The transparent tube inserted between the two surfaces allows the person inside the installation to regulate the flow of air. As a result of the increasing pressure between the plastic sheets, the surface of the packed body gradually freezes into multiple micro-folds. For the duration of the performance the person inside moves slowly and changes positions, which vary from an almost embryonic position to one resembling a crucified body. 

Conversations 02012 - A couple of vibrating chairs are slowly moving and turning randomly through the space. They seem to search and reject each other with soft humming sounds. When a visitor passes by or sits down, the chairs hesitate and then carefully try out different patterns. The patterns are not designed; it is a self-organizing system where new compositions and new behavior arises spontaneously through the duration of the installation.

Museum Beelden aan Zee

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Micro Events

13.05.2015 - 25.05.2015

Théâtre Les Salins
Martigues (F)

Micro Events is a series of cinematic experiences for one person at a time, each involving a table, a microscope and a small mechanical stage. These tiny worlds on a microscopic scale each have their own soundtrack accompanying visitors along a fragmentary path into the infinitely small, guiding them through a labyrinth of detailed descriptions, questions and unstable verifications.

Théâtre Les Salins

Tom Kok

Britt Hatzius

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Concertgebouw Brugge
't Zand 34, 8000 Brugge (B)

The upheaval after the Great War in an interactive performance. Sound rises from the earth: rustling, murmuring… echoes of battle, but also voices and snatches of music. As visitors move through this installation, the sounds retreat. Wherever humans go, the music hushes to a murmur. This interactive sound installation, created by Anneleen de Causmaecker, Annelies Van Parys and Peter Verhelst, is brought to life by the live performance of Els Mondelaers and Isabelle Balsa. Cellist Arne Deforce plays the prelude.

Concertgebouw Brugge