Newsletter Annelies Van Parys

22.02.2022 - 28.05.2022

Various Locations
B & NL

Annelies Van Parys / News & Agenda February - March 2022
IVO VAN HOVE / MUZIEKTHEATER TRANSPARANT // DAGBOEK VAN EEN VERDWENENE at DE SINGEL International Arts Centre, Antwerp (B) - CHANTS D'AUVERGNE | OXALYS at Cultuurcentrum Ter Dilft, Bornem (B) - World Creation: ECO... DEL VUOTO (in memoriam Luc Brewaeys) by Concertgebouworkest at Het Concertgebouw Amsterdam (NL) - World Creation: Pianoconcerto by Antwerp Symphony Orchestra at Muziekcentrum De Bijloke Gent & Koningin Elisabethzaal, Antwerp (B) - Article in de lage landen / the low countries

Read Newsletter

tele-present wind at Mois Multi 2022

09.02.2022 - 27.02.2022

ESPACE 400E
Quebec (CA)

At first glance, tele-present wind (2018)  by David Bowen could be perceived as a plant-like oddity composed of 126 dried plant branches mounted on metal rods. This undulating symphony is actually orchestrated by the wind’s blow, the intensity of which is captured via anemometers located in Minnesota, USA. This reconstituted mini-forest, acting as the promise of a somewhat disturbing mechanical future, rises and sways in unison, giving the scene a strange aura: that of a still life yet very much alive. The sound of the moving metal rods, like leaves caressed by the breeze, reinforces the organic spirit of the installation. tele-present wind is in fact a shifted representation of fluid dynamics, the main subject here being the observation of the movement of wind.

Mois Multi
David Bowen

BOREAS / SLOW (36 h) 2022

05.02.2022 - 06.01.2022

Concertgebouw Brugge
Brugge (B°

During this third edition SLOW (36h), Concertgebouw Brugge (B) give you 36 hours to stop and reflect in a society that is all too often rushing forward. Inspired by ancient and other cultures, we experience a different notion of time, by stopping the clock and getting maximal enjoyment from minimal resources.

BOREAS 02007, an installation by Lawrence Malstaf is installed in the Concert Hall.  Admission is free with a ticket for the performances by Keiko ShichijoTaurus Quartet or Organo.

BOREAS 02007 is a matrix of tubes is spread out equally over the room. They bend over extremely slowly as if a slow motion wind were touching them. Leaning into one another they reaching out like the tentacles of a giant snail. The room continuously transforms from a geometric grid to an unpredictable organic structure and back. Order to chaos to order in a never ending cycle. 

Saturday 5 February 2022 
11:00 - Keiko Shichijo
20:00 - Taurus Quartet

Sunday 6 February 2022
16:30 - Organo

TICKETS

DEMO

01.02.2022 - 01.03.2022

Kris Verdonck / A Two Dogs Company
Brussels (B)

DEMO is Kris Verdonck's first short film.
(in production)

The starting point for this film project is the performance UNTITLED, a show by Kris Verdonck / A Two Dogs Company that premiered at the Kaaitheater in 2014. DEMO follows the genre of silent film, slapstick, musical and cartoons, as well as the style of the numerous uploads on YouTube and other social media.

DEMO is a social and absurdist portrait of Bee, an artist looking for work. Bee is homeless, lives under a bridge in the Brussels Canal Zone and is dressed as a mascot.  He makes videos of himself with his smartphone and hopes to one day find an audience. His main activity is boredom, an existential boredom, he just doesn't know what to do.

In DEMO, we follow Bee's path and his stunts for two days and three nights. His tricks are aimless and nonsensical, and as the days progress his existence begins to weigh on him. His surroundings - a clash of banks, art institutions, homeless people, refugees, expensive apartments and drug addicts - are indifferent. He is part of the scenery that nevertheless defines him and in which he simultaneously disappears. The enthusiasm with which he tries to entertain becomes increasingly extreme, wry and dangerous, to the point of being suicidal. Suicide is unfortunately not an option, cartoon characters don't die, they rise again and again.

Bee lives in a harsh reality and - just because of that - also in his imagination, in his madness and hallucinations. His big dream is to perform for an audience in one of the great art houses on the canal, Kaaitheater and KANAL - Centre Pompidou. There is much that stands in the way of the realization of this dream, not least his poor artistic skills. He thinks he knows great tricks, but in reality it doesn't amount to much, he fails or things go wrong.

CREDITS
Concept and Direction: Kris Verdonck
Dramaturgy: Kristof van Baarle
Performance: Marc Iglesias
Musician: Michael Schmid
Costumes: An Breugelmans, Eefje Wijnings, Karolien Nuyttens, Stephanie Becquet
Camera: Vincent Pinckaers
Production manager: Erik Lambert
Production: A Two Dogs Company
Coproduction: Quetzalcoatl, Shelterprod
With the support of: VAF - Vlaams Audiovisueel Fonds, Tax shelter incentive of the Belgian federal government

COMPOSER ANNELIES VAN PARYS IS IN LOVE WITH THE VERY ESSENCE OF SOUND

22.01.2022

the low countries
website

Whether it’s chamber opera, music theatre, compositions for orchestra, choir or solo instruments, Annelies Van Parys has mastered it all. The Flemish composer, winner of numerous awards, is now one of the most sought-after contemporary composers in Europe. So what makes her talent so unique?

Read article

Artifice Numérique #4: Végétalisons

19.11.2021 - 05.12.2021

Le Hublot
Nice (F)

growth rendering device
This system provides light and food in the form of hydroponic solution for the plant. The plant reacts to the device by growing. The device in-turn reacts to the plant by producing a rasterized inkjet drawing of the plant every twenty-four hours. After a new drawing is produced the system scrolls the roll of paper approximately four inches so a new drawing can be produced during the next cycle. The system runs indefinitely and the final outcome is not predetermined.

David Bowen - growth rendering device
Artifice Numérique

Europalia Trains & Tracks: Lost & Found

15.11.2021 - 03.12.2021

Central Station
Brussels & Antwerp (B)

The history of our continent is largely the outcome of the overwhelming need of human beings to travel and the perpetual movement it generates. As vessels of this human movement, train stations are home to the many stories brought about by the flows of travellers that pass through them and the small and large events that take place there. Lost & Found aims to establish a dialogue between the train stations and the variety of local stories that live there - from intimately personal accounts to public matters. Mini operas developed over the course of several days will transform these stories into audio, visual and kinetic experiences for passers-by and travellers.

For one week, the audience will be able to not only witness the opera's creation, but they will also be able to participate in it. A local team of artists (librettists, composers, dramaturges) will collect local stories from passers-by and translate them into operas. The artists will work together in a creative space - a transparent cube installed inside the train station -  from which they will be able to observe what is happening outside and through which passers-by will be able to witness the creative process in real time. Each day, a performance based on the interactions of that day will be put on. The final composition will bring together these daily operas and take the form of an extended performance through which musicians and singers will share the result of this experience.

The musical director of this project is Benjamin Haemhouts, artistic director of the Belgian chamber orchestra Casco Phil. The stage crew is led by the international theatre production company Muziektheater Transparant. In co-production with Perpodium. Among the selected artists are Annelies Van Parys (composer), Gaea Schoeters (librettist) and Fanny Gilbert-Collet (director).

More Info:
Casco Phil
Muziektheater Transparant
EUROPALIA TRAINS & TRACKS

Read More

Piano is not Dead

15.11.2021 - 28.11.2021

Le Tetris
Le Havre (F)

cloud piano plays the keys of a piano based on the movements and shapes of the clouds. A camera pointed at the sky captures video of the clouds. Custom software uses the video of the clouds in real-time to articulate a robotic device that presses the corresponding keys on the piano. The system is set in motion to function as if the clouds are pressing the keys on the piano as they move across the sky and change shape. The resulting sound is generated from the unique key patterns created by ethereal forms that build, sweep, fluctuate and dissipate in the sky.

David Bowen - cloud piano
Le Tetris

THE LOST ONES (after Samuel Beckett)

10.11.2021 - 12.11.2021

Tinnenpot
Gent (B)

PREMIERE
A Two Dogs Company & KASK present:

THE LOST ONES
(after Samuel Beckett)

An Architecture of Loss

In Samuel Beckett's The Lost Ones, characters search for their lost ones in a space without an exit. They seem to follow unwritten rules. They are the result of the architecture and dynamics of their surroundings. This environment has something hellish: space, light and sound have a merciless effect on the seekers. Their search seems futile: recognition and memory are absent in this world. And yet they continue: nonsensically, bored, playfully, madly, endlessly. 

One could also look at it another way: maybe the figures are not so much the seekers as the ones who are being sought, the ones who are missed. Like silhouettes in a white space, they are the holes in our emotional architecture. Somewhere in our memory, in our body, these 'lost ones' wander. They are connections that are no longer made but that are still sought. The world of The Lost Ones is then an architecture of lack, of a loss and longing for something absent that rages through the brain and the body. The figures' absurd searching in this environment is a consequence of that longing and missing. As long as we yearn for them, the people we miss are lost - in us. In the same way, we ourselves may be both seekers and seekers. Will this circle ever be completed, will this desire ever be at rest? Or is it rather like two parallel lines and do the paths of seeker and sought only cross in infinity? 

CREDITS
Concept and Direction: Kris Verdonck
Performance: Toon Acke, Lise Bolikowski, Lotte De Keyzer, Marah Haj Hussein, Emma Van Ammel, Sophie Anna Veelenturf, Maria Zandvliet, Fiene Zasada, Lieselot Siddiki, Luca Persan
Dramaturgy: Kristof van Baarle
Costumes: Eefje Wijnings
Soundscape: Oscar Claus

A collaboration between KASK – School of Arts and A Two Dogs Company

The Lost Ones is a project in the frame of  the three-year research project at KASK – School of Arts by Kris Verdonck and Kristof van Baarle, focusing on the performative and dramaturgical convergences between the work of Samuel Beckett and Noh-theater.  

10 November 2021 - 20:00
11 November 2021 - 20:00
12 November 2021 - 20:00

TICKETS
FREE upon reservation
Reserve your ticket HERE

HACK-À-DEUX

19.10.2021 - 20.10.2021

BOZAR
Brussels (B)

During a two days symposium taking place at Bozar, we invite you to focus on the future of Artificial Intelligence and its impact on our living environment, cities, communities, and culture – a future in which AI will become “our nearest neighbour”. Curated by Jurij Krpan and Pau Waelder, this event will bring together researchers, entrepreneurs, creatives and artists, who will share their expertise on AI in Europe, addressing topics such as AI and creativity in the arts, and the future of living with AI.

Over the two days of the conference, we will host in parallel, and for the first time at Bozar, a hackathon entitled “Hack-à-deux”, on the theme Living with AI, our nearest neighbour. The hackathon is a creative marathon, in which two artists will be paired with three researchers, scientists, engineers or curators to answer a specific challenge dealing with the future of our life with AI in no more than 48 hours. The results of the hackathon will be presented to the public at the end of the symposium during the last panel. 
“Hack-à-deux” with  Dries Depoorter, Laura Colmenares Guerra, Alex Verhaest, Bohdana Kohorod, Kristjan Jansen and Guillem Alenyà.

Full programme & tickets for Day 1 
https://www.bozar.be/en/calendar/future-living-day-1
Full programme & tickets for Day 2 
https://www.bozar.be/en/calendar/future-living-day-2

Not able to come to Brussels on 19 + 20 Oct.’21?
We will be live-streaming the symposium via Zoom.
Please register in advance to obtain the Zoom-link. 
Registration for the live-streaming of Day 1: 
https://bit.ly/TFOL-Zoom-Day1
Registration for the live-streaming of Day 2: 
https://bit.ly/TFOL-Zoom-Day2

​​​​Find out more about the Future of Living and start interacting with the AI.
https://www.thefutureofliving.eu/