Lawrence Malstaf, Transporter 02008

From gallery to art office

With the ambition to explore new paths and to extend its activities beyond the traditional concept of an art gallery, Tallieu Art Office & Ischa Tallieu continue to build upon the experience and achievements within the context of a promotion gallery. 

From 1989 until 2014, Galerie Fortlaan 17 earned its position in the contemporary arts world, constantly reinforcing its reputation thanks to high-profile exhibitions, projects, publications, involvement in international art fairs, performances, debates and lectures. In 2014, the time had come to take up a new challenge!

Tallieu Art Office works now in different fields such as visual, installation and new media art, contemporary classical music, sound art and the performing arts with a special interest in transdisciplinary projects and a focus on selection, promotion, exhibitions, networking, consultancy, expertise and representation.

David Bowen & Kristina Estell, voyager one, 2013 - present

News & Agenda Summer 2016

12.07.2016

Pieter Laurens Mol at Vincent van GoghHuis, Zundert (NL) - Vincent & Lawrence Malstaf at Daejeon Museum of Art, South Korea - Lawrence Malstaf at Nikolaj Kunsthal, Copenhagen (DK) - David Bowen & Aernoudt Jacobs at MU, Eindhoven (NL) - David Bowen & Kristina Estell at New Media Gallery, Vancouver (CA) - David Bowen at The Matress Factory, Pittsburgh (US) - Jacques Charlier at Musée d'Ixelles, Brussels (B) 
Enjoy your summer!

Read News & Agenda Summer 2016

Jacques Charlier

°1939

Jacques Charlier is an autodidact who studies art and the strategies of the art market. He systematically analyzes his collection of biographies, dictionaries and catalogues. As far back as the early sixties he started to construct ‘mise-en-scènes’ with discarded objects. In 1963 he starts to collect professional photographs made by the Technical Department of the Province of Liège, where he lives. His approach of the photographs is a response to Pop Art and the Nouveau Réalisme. In the eighties he starts to make remarkable satires about new trends in art with compositions of paintings and small statues. He creates ‘Chambre d’Ennemi’, a work for ‘Chambre d’Amis’, the exhibition by Jan Hoet in Gent in 1986. A few years later his work emphasizes a sense of déjà vu by using frames from days long gone for paintings signed by imaginary artists. He also writes texts, which he signs with the names of imaginary critics.

With unflagging energy Charlier tries out every kind of artistic technique and expression possible, constructing an oeuvre that he calls himself ‘his activities’. Every year he creates ‘new’ art, but it is the art of a chameleon. With inexhaustible wit he adapts every object to his pur- pose. He has quite consciously chosen not to evolve a personal ‘style’, which enables him to keep shattering the aura which surrounds ‘art’.

Jacques Charlier

To Artist