From gallery to art office
ambition to explore new paths and to extend its activities beyond the
traditional concept of an art gallery, Tallieu Art Office & Ischa Tallieu
continue to build upon the experience and achievements within the context of a
until 2014, Galerie Fortlaan 17 earned its position in the contemporary arts
world, constantly reinforcing its reputation thanks to high-profile
exhibitions, projects, publications, involvement in international art fairs,
performances, debates and lectures.
Tallieu Art Office works in various fields such as visual, installation and new media art, contemporary classical music, sound art and performing arts with a special interest in transdisciplinary projects and a focus on selection, promotion, exhibitions, networking, consultancy, expertise and representation.
News & Agenda February - March 201710.02.2017
Annelies Van Parys with Het Kanaal at Queer Arts Festival, Antwerpen (B) in co-production with Het Geluid Maastricht, Muziektheater Transparant, Opera Days Rotterdam, Perignem - Annelies Van Parys with Ah cette fable (world premiere) at Concertgebouw Brugge (B) - Lawrence Malstaf at Saint-Ex Reims (F) - Annelies Van Parys with Diary of One Who Disappeared (world premiere) at Klarafestival, Kaaitheater, Brussels (B) - Kiki Smith at Biennale di Venezia (IT) - Annelies Van Parys with Private View at Borealis Festival, Bergen (NO) - Aernoudt Jacobs, The Art of Listening at Muntpunt, Brussels (B) - David Bowen at Telfair Museums, Savannah (US)
Jacques Charlier is an autodidact who studies art and the strategies of the art market. He systematically analyzes his collection of biographies, dictionaries and catalogues. As far back as the early sixties he started to construct ‘mise-en-scènes’ with discarded objects. In 1963 he starts to collect professional photographs made by the Technical Department of the Province of Liège, where he lives. His approach of the photographs is a response to Pop Art and the Nouveau Réalisme. In the eighties he starts to make remarkable satires about new trends in art with compositions of paintings and small statues. He creates ‘Chambre d’Ennemi’, a work for ‘Chambre d’Amis’, the exhibition by Jan Hoet in Gent in 1986. A few years later his work emphasizes a sense of déjà vu by using frames from days long gone for paintings signed by imaginary artists. He also writes texts, which he signs with the names of imaginary critics.
With unflagging energy Charlier tries out every kind of artistic technique and expression possible, constructing an oeuvre that he calls himself ‘his activities’. Every year he creates ‘new’ art, but it is the art of a chameleon. With inexhaustible wit he adapts every object to his pur- pose. He has quite consciously chosen not to evolve a personal ‘style’, which enables him to keep shattering the aura which surrounds ‘art’.To Artist